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While London leads the marketplace for old masters and oriental works of art, and New York is regarded the center for contemporary art, for more than two centuries Paris has remained the world capital of the antiques market. Here, leading French expert on decorative arts Jean-Louis Gaillemin recounts the fascinating history of the Parisian antiques world: from the French Revolution, when dealers began selling the collections of the French monarchy to a predominantly English clientele, to the Restoration, when furniture and decorative arts of the Ancien Regime began to return to the chateaux; from the new enthusiasm for antiques which grew among the rapidly expanding bourgeoisie under the Second Empire (1852-70), to the arrival of the first Oriental experts towards the end of the century. We accompany the great American collectors, who began to flow into Paris in the 1890s, on their visits to the hotels particuliers of important dealers such as Wildenstein or Duveen, on the Place Vendome or near the Parc Monceau, and discover how, in the 20th century, African art was "launched" by the Cubists from 1910 onwards, and Pre-colombian and Oceanic art by the Surrealists in the 1920s. Taking us through the post-war trends of early 20th-century styles, right up to the present day trend of 1970s design, the author provides a tantalizing account of how, when and why, over the past two centuries, Paris attributed (or denied) certain antiques and antique dealers their popularity and reputation. Complementing this historical account, the book includes a practical guide which lists the addresses of Parisian dealers by district and specialty along with key museums. Luxurious, richly illustratedand informative, Antiquaires is an essential item for both amateur and professional antiques collectos, and all those taken by the irresistible allure of the world of antiques and the Parisian market in particular.

Shortly after 5:00 P.M. on Wednesday, May 27, 1896, a Herculean tornado shattered the St. Louis area. Within twenty minutes, 137 people had perished in St. Louis, with 118 dead across the river in East St. Louis. Along a ten-mile swath of devastation, the tornado destroyed 311 buildings, heavily damaged 7,200 others, and caused significant harm to 1,300 more. Even today, that powerful cyclone of a century ago "remains the single deadliest incident to befall the St. Louis area", according to Tim O'Neil of the St. Louis Post-Dispatch, who wrote the foreword for this historic reprint of a book originally published by the Cyclone Publishing Company. The Great Cyclone at St. Louis and East St. Louis, May 27, 1896 was compiled and published at a speed that rivals some of today's quickie publications. The Cyclone Publishing Company obtained its copyright in Washington, D.C., on June 5, 1896, only nine days after the tornado had churned like a killer turbine through the two cities. But a disaster in a major metropolis demanded speed. The public was ravenous for news of what the winds had wrought in St. Louis, at the time the nation's fourth largest city. The Great Cyclone is remarkable for more than the speed with which it was published. Filled with interviews and a great array of illustrations, with factual accounts of where the damage occurred, with lists of the dead and injured, and with the colorful descriptive passages popular among newspapers of the day ("Fire King", "Storm King", "Situation sufficiently horrible to unman the hardiest"), this book presents the best available picture of what happened a hundred years ago in St. Louis. It is, as O'Neil says, a "work of reporting from brick-strewn streets".

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